
We met Dr. Norell last Thursday in his office in one of the corner towers of the Museum of Natural History in New York, overlooking the leafy vista of Central Park. He and staff artist Mick Ellison showed us some of the paleo art from the museum’s rich history: original dinosaur paintings by Charles Knight and exquisitely detailed ink wash drawings of fossils by Erwin Christman.

Mark Norell is one of the world authorities on feathered dinosaurs. He said that he is encountering more and more evidence of feathers on two-legged meat-eating dinosaurs, perhaps even T. rex. He is even finding a hint of light and dark barred patterns on some of the feathers.

Fossil preparator Amy Davidson showed us how she has been carefully removing the surrounding rock from a new Tarbosaurus skull. This T. rex relative shows some of the best detail yet of the central part of the cranium, revealing new information about the olfactory and optic areas. This work may shed new light on how well these creatures could see and smell.

We then followed a labyrinth of dim hallways to the “Big Bone Room,” supervised by collections manager Carl Mehling, seen with a beard in the previous photo. He showed us the massive sauropod bones resting on metal shelves, bones so heavy that a forklift is required to move them.

It is often said that artists are the eyes of paleontology. If so, the scientists and museum specialists are everything else: legs, hands, muscle, mind, and heart. They do their detective work with tireless zeal and imagination, usually on shoestring budgets, to help us bring the picture of these long-lost animals into better focus.
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