

Above, the water is almost entirely transparent, with just a few slithery slashes of blue sky reflections to suggest the moving stream. (From the John Singer Sargent Virtual Gallery, a website that catalogs all his works.)
In three previous posts: (Part 1, Part 2, Part 3) we looked at water reflections, but this time, let’s also consider transparency.


In the lower right of this study, you can see the streambed because you’re looking steeply downward, but higher up in the scene, the blue reflections of the sky take over.
Same thing in the study below. There’s mostly sky reflection at (1) and there’s more transparency at (2). In the area marked (3), the tones of the riverbottom are darker because the reflected skylight is interrupted by the mass of the rock. Polarized sunglasses will also selectively remove some of the glare of reflected skylight, allowing you to see more of the transparency (or refracted) rays.

In (4) you can see the edge of the last high tide. The tide was coming in as I painted this, covering the rocks one by one, and darkening them as it did so. Because blue light is scattered away and subtracted from the light illuminating subsurface rocks, they look darker and warmer than the rocks above the surface.
Không có nhận xét nào:
Đăng nhận xét