On a camera, this is the result of “automatic white balance.” Scientists call it “chromatic adaptation.” Artists call it “simultaneous contrast” or “induced color.” These are all related ideas, and they’re fun to experiment with.



Leave your casts or maquettes white if you’re going to be observing them directly with the eye, because these color effects are more pronounced. Paint them a 30% gray (flat spray primer works well) if you’re going to photograph them, because otherwise the bright tones will burn out on the top end.
Here’s a concept sketch for a science fiction paperback cover. Cool light with warm shadows isn’t used as often as “golden hour” lighting. It conveys a weird, artificial feeling, because only unnatural environments have cool, direct light coming from below.
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For a fun optical illusions demonstrating chromatic adaptation, link
and Duke University's Dale Purves "see for yourself" lab, link.
Related GurneyJourney posts:
Colored Light and Form, link.
Golden Hour lighting, link.
Warm and Cool Colors, link.
Key and Fill Light, link.
Character Maquettes, link.
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